I’m really excited because today I’m talking with Angi Shearstone, an award-winning professional with an MFA in comics, a trio of cats, geek tendencies and a fondness for ska-core. With 18 years of professional art experience, she’s worked with many professionals in several art industries. She continues work on BloodDreams as she further refines her video editing skills.
Vampire Explored: First of all, I’d like to welcome you to Vampire Explored. Tell us a little about yourself. Tell us about your background.
Ms. Shearstone: Thank you! It’s an honor to be featured here on Vampire Explored and a pleasure to be interviewed! I am currently living in North Carolina, in the Research Triangle Park area, which is more or less Raleigh-Durham-Chapel Hill. I am not originally from here, though, I lived most of my life in Connecticut, where I grew up and did my undergraduate work in Illustration at the University of Hartford. I left Connecticut about 10 years ago to get my MFA in Sequential Art at the Savannah College of Art & Design. In the in-betweens I have been a graphic artist, working as a designer and illustrator for a variety of companies and industries, with most of the experience in publishing.
VE: Who are your favorite authors? Your favorite artists?
Ms. Shearstone: My favorite authors are a mix of book authors and comic writers. Douglas Adams, Warren Ellis, Garth Ennis, Terry Brooks, Neil Gaiman. My favorite artists include Monet, John Singer Sargent, … My favorite comic artists are George Pratt, Scott Hampton, Kent Williams, Bill Sinkiewicz, J Muth, Dave McKeah, oh, and so many more.
VE: You’re writing and drawing a vampire comic book series. What attracts you to the paranormal genre?
Ms. Shearstone: I’m attracted to the element of the unknown. I think people are drawn in by things we don’t have the facts on, just myths and hypotheses, and that engages a curiosity in the brain, maybe. The paranormal definitely allows for more creativity than having to write strictly in the “real world.”
VE: What made you want to do a vampire comic book with such a cool 1970’s punk twist?
Ms. Shearstone: It’s a combination of my passions and interests. When I first started working on BloodDreams (an almost embarrassing number of years ago), I was re-discovering my love of punk rock. I couldn’t help but smoosh the two together to see what might come out of it.
VE: Can you share the experience of working with Kickstarter to raise funding for your comic book publishing efforts?
Ms. Shearstone: Kickstarter was great, I found out about the site at just the right time. I found it pretty easy to use, too. You submit your project first to see if they’ll “approve” you – I guess this is done to weed out the “gimme money ‘cuz I want you to” types that might show up on these things – to show you’ve really got something going on. They were friendly and helpful, seemed pretty enthusiastic about the project and supportive to see me get it rolling. The hardest part was getting the video done in a timely manner – I had set a mental deadline and really wanted to stick to it, so I didn’t have time to go all perfectionist with the video. Then once the project’s up, you’ve got to be ready to shout about it though, you’ve got to attract some attention yourself. I’ve seen “reviews” where people complain about that, with a “why don’t I just ask my friends directly and skip Kickstarter?” My answer to that is there’s a “for real” effect in using something like Kickstarter, some accountability that’s more visible … as well as the potential to be found randomly by people you don’t know. It helps to have a deadline and to be encouraged to provide rewards. Plus it makes for something great to talk about! In my opinion, it sounds more impressive to say “I raised $5000 on Kickstarter” than “I borrowed money from my friends and family.”
VE: Tell us about the BloodDreams story.
Ms. Shearstone: BloodDreams is a vampire story where good and evil has little to do with who drinks blood and who doesn’t. It’s the sprouting of seeds that were planted in my head about 15 years ago, that I always knew would come to light, I just needed to spend some time refining my vision for the project. It’s inspired by the fully painted comic work of George Pratt, Scott Hampton, Dave McKean, etc… as well as by the comics I’ve read, darker comics like HellBlazer, Sandman, Books of Magic and the like, and as such is geared towards a more mature audience.The synopsis goes like this:
After years of screwing up, Jonny has finally found himself on the brink of pulling his young life together. Unfortunately, his talent and energies have been drawing attention from a world of which few know and even fewer speak. Like most everyone, Jonny has no idea vampires even exist until he finds himself dead at the hands of one, how could he possibly have known that he’s also a very good candidate to become one?
As Jonny stumbles clumsily into and through his first hours of unlife with little recollection and even less knowledge of the evening’s events, he cluelessly broadcasts his new condition to vampires and vampire hunters alike. Very unfortunately, he specifically attracts the notice of some hunters belonging to the organization largely responsible for pushing vampire-kind into near extinction, ironically out tracking the vampire who kills him.
As his friends debate whether he’s just falling back into old habits, lady luck at least casts a quick glance his way: Rather than seeing evidence of something inhuman, most everyone else just blames his odd behavior on injuries and drugs. Tensions surge between rival vampire factions as they cross paths, vying for control over the situation, scrambling to cover track in Jonny’s wake and in his path to keep anything worse from happening to him or anyone else.
Follow Jonny’s reluctant but inescapable descent into a dark world of intrigue, as he tries to find a new purpose, a new balance all over again, ultimately revealing himself as remarkable even among the extraordinary.
VE: What is your favorite scene in the comic book and why?
Ms. Shearstone: I can think of two. I like the quiet scene with Jonny and Ginny in bed, and then I also like the 2-page spread of Marion actually killing him – I had fun painting that one. I guess it’s because they’re the two strongest emotional scenes, on opposite ends of the spectrum. I spend some time trying to develop just the right emotional environment, just the right dialog, timing, lighting, and angles to create just the flow of story that I have in my head. Those scenes feel pivotal to me in laying out the main character’s perspective for the rest of the story arc.
Oh, and I’m fond of the two pages featuring Henry. He’s a fun character and it was fun filling in his home environment with all his stuff, I’m looking forward to when he’s a more prominent part of the story and part of the action.
VE: Would you like to share an excerpt or a few comic book frames with out readers?
Ms. Shearstone: Yes! Check it out!
VE: Tell us a little about your future plans for the BloodDreams series.
Ms. Shearstone: I am working pretty diligently on the second issue right now. I originally had a goal of having it done this fall, but Some Things have come up and delayed things — unfortunately they’re the sort of Some Things that I can’t quite talk about yet. But while this stuff has had some immediate impact on getting the second issue done, once I’m over the speed bumps, everything should allow more time for me to get BloodDreams done much more quickly. I intend to publish at least 6 issues total, which covers the first story arc that introduces the main characters and the whole world, setting the stage while still being a story in and of itself. If I can get that to fly, I have a lot of ideas, a long-term plot that would take, and I’m guessing here, 60-80 comic book issues to complete the whole story. It’s really pretty epic. The word “magnum opus” gets thrown around a lot when I’m asked about the project.
VE: And finally … Can you tell us about some of your other artwork?
Ms. Shearstone: Oh, yes! I just love to paint. I have been a serious watercolorist for about 20 years now, but also do oils & acrylics. While much of my other work is very illustration-oriented, I do still enjoy painting for the sake of painting, still-lives, landscapes and portraits. When I was at SCAD, I took a course in Chinese brush painting and just fell in love with it, and you can see some of that work at www.angishearstone.com. More recently I started to combine that technique with cats (just smooshing together things that I love again!), just to have some fun with it. I like doing art shows, but I haven’t had much time in the past few years. Outside of my day-job, I’ve been trying to focus primarily on BloodDreams.
Thanks so much for chatting with us Angi! Everyone, PLEASE be sure to pop over to Kickstarter at www.kickstarter.com/projects/1621152470/blooddreams and show some support for Angi’s fantastic efforts!
Angi’s Website Links:
www.blooddreams.com - only features BloodDreams
www.paintedcomics.com – features more of Angi’s sequential art
www.angishearstone.com - features Angi’s fine art, illustration, Chinese brush painting, and design
Author Blog Link:
www.paintedcomics.com/painttalk
(Watch for Angi’s new blog/podcast called “I’d Rather Be Painting” coming Dec 2011/ Jan 2012 … watch for other oddness coming soon at: http://damn-thing.com)
Facebook:
http://www.facebook.com/comics.grrl
http://www.facebook.com/pages/BloodDreams/105222446222659
Twitter:
http://twitter.com/comics_grrl
http://twitter.com/blood_dreams
Vampire Explored is a blog by Deborah Riley-Magnus, author of “Cold in California”, first in the Twice-Baked Vampire Series!


































